The Art of Fiction No. 70 (Interviewer)
“The whole question of free will and choice and determinism is inevitably interesting to a novelist. Are your characters puppets in the hands of fate or are they really able to make free choices?”
“The whole question of free will and choice and determinism is inevitably interesting to a novelist. Are your characters puppets in the hands of fate or are they really able to make free choices?”
It was St. Patrick’s Day in Miami. Bryn Corley was looking in the mirror, deciding whether or not to curl her hair. When she curled it, it came out tight and blonde and emphatic like Jean Harlow’s; when she sleeked it off her face the Grace Kelly came forward.
Mordecai Maccabee was in Disney World recording sound and Geraldine La Cru was in her apartment drinking tea. She sat at a table and kept her eyes on the river. A red tug-boat with a black chimney
When Emily Jessup said goodbye to her daughter in Oslo, she did not expect to see her again for at least five days. Mimi was going mountain climbing with friends and was to meet her mother at the end of the week on the tip of a fjord in Flam. Emily looked forward to the time apart.