Stand up, please, place your hand here, state your name clearly. Frederick Charles St. John Vanderveld Montgomery. Do you swear to tell the truth, the whole truth and nothing but the truth? Don’t make me laugh.

My Lord, when you ask me to tell the court in my own words, this is what I shall say. I am kept locked up here like some exotic animal, last survivor of a species they had thought extinct. They should let in people to view me, the girl-eater, svelte and dangerous, padding to and fro in my cage, my terrible green glance flickering past the bars, give them something to dream about, tucked up cosy in their beds of a night. After my capture they clawed at each other to get a look at me. They would have paid money for the privilege, I believe. They shouted abuse, and shook their fists at me, showing their teeth. It was unreal, somehow, frightening yet comic, the sight of them there, milling on the pavement like film extras, young men in cheap raincoats, and women with shopping bags, and one or two silent, grizzled characters who just stood, fixed on me hungrily, haggard with envy. Then a guard threw a blanket over my head and bundled me into a squad car. I laughed.

There was something irrestibly funny in the way reality, banal as ever, was fulfilling my worst fantasies.

By the way, that blanket. Did they bring it specially, or do they always keep one handy in the boot? Such questions trouble me now, I brood on them. What an interesting figure I must have cut, glimpsed there, sitting up in the back like a sort of mummy, as the car sped through the wet, sunlit streets, bleating importantly.

Then this place. It was the noise that impressed me first of all. A terrible racket, yells and whistles, hoots of laughter, arguments, sobs. But there are moments of stillness, too, as if a great fear, or a great sadness, has fallen suddenly, striking us all speechless. The air stands motionless in the corridors, like stagnant water. It is laced with a faint stink of carbolic, which bespeaks the charnel-house. In the beginning I fancied it was me, I mean I thought this smell was mine, my contribution. Perhaps it is? The daylight too is strange, even outside, in the yard, as if something has happened to it, as if something has been done to it, before it is allowed to reach us. It has an acid, lemony cast, and comes in two intensities: either it is not enough to see by or it sears the sight. Of the various kinds of darkness I shall not speak. 

My cell. My cell is. Why go on with this.

I stood by the window, in my parents’ bedroom. Yes, I had realised that it was, used to be, theirs. The grey dawn was giving way to a pale wash of sunlight. My lips were tacky from last night’s port. The room, the house, the garden and the fields, all was strange to me, I did not recognise it today— strange, and yet known, too, like a place in—yes —in a dream. I stood there in my wrinkled suit, with my aching head and soiled mouth, wide-eyed but not quite awake, staring fixedly into that patch of sunlit garden with an amnesiac’s numbed amazement. But then, am I not always like that, more or less? When I think about it, I seem to have lived most of my life that way, stalled between sleep and waking, unable to distinguish between dream and the daylight world. In my mind there are places, moments, events, which are so still, so isolated.that I am not sure they can be real, but which if I had recalled them that morning would have struck me with more vividness and force than the real things surrounding me. For instance, there is the hallway of a farmhouse where I went once as a child to buy apples. I see the polished stone floor, cardinal red. I can smell the polish. There is a gnarled geranium in a pot, and a big pendulum clock with the minute-hand missing. I can hear the farmer’s wife speaking in the dim depths of the house, asking something of someone. I can sense the fields all around, the light above the fields, the vast, slow, latesummer day. I am there. In such remembered moments I am there as I never was at Coolgrange, as I seem never to have been, or to be, anywhere, at any time, as I, or some essential part of me, was not there even on that day I am remembering, the day I went to buy apples from the farmer’s wife, at that farm in the midst of the fields. Never wholly anywhere, never with anyone, either, that was me, always. Even as a child I seemed to myself a traveller who had been delayed in the middle of an urgent journey. Life was an unconscionable wait, walking up and down the platform, watching for the train. People got in the way and blocked my view, I had to crane to see past them. Yes, that was me, all right.

I picked my way down through the silent house to the kitchen. In the morning light the room had a scrubbed, eager aspect. I moved around warily, unwilling to disturb the atmosphere of hushed expectancy, feeling like an uninitiate at some grand, rapt ceremony of light and weather. The dog lay on a dirty old rug beside the stove, its muzzle between its paws, watching me, a crescent of white showing in each eye. I made a pot of tea, and was sitting at the table, waiting for it to draw, when Joanne came in. She was wearing a mousegrey dressing-gown belted tightly about her midriff. Her hair was tied up at the back in a thick, appropriately equine plume. It really was remarkable in colour, a vernal russet blaze. Immediately, and not for the first time, I found myself picturing how she must be flossed elsewhere, and then was ashamed, as if I had misused the poor child. Seeing me, she halted, of course, ready to bolt. I lifted the teapot in a friendly gesture and invited her to join me. She shut the door and edged around me with a panic-stricken smile, keeping the table between us, and took down a cup and saucer from the dresser. She had red heels and very white, thick calves. I thought she must be about seventeen. Through the fog of my hangover it occurred to me that she would be bound to know something about the state of my mother’s finances—whether, for instance, those ponies were making money. I gave her what was intended to be a boyish, encouraging smile, though I suspect it came out a broken leer, and told her to sit down, that we must have a chat. The tea, however, was not for her, but for my mother—for Dolly, she said. Well! I thought, Dolly, no less! She made off at once, with the saucer grasped in both hands and her agitated smile fixed on the trembling liquid in the cup.