A couple of years ago I joined one of those clubs where they teach you how to knock the shit out of other people. The first lesson is how to get the shit knocked out of yourself. The first lesson is all there is. It lasts between eighty and a hundred years, depending on your initial shit content.

John C. Skaggs was born in Green County in 1805, thirteen years after Kentucky became our fifteenth state. His son, Ben Skaggs, was born in 1835 in Bald Hollow and married Missouri Ann Carter.

Let’s suppose you are a serious person, or you transmit to yourself certain conventional signals of a sort of seriousness: you reread Tacitus, you attempt to reread Proust but it can’t be done, you listen to Bartók and to Archie Shepp.

Also: You can’t stop moving your bowels, or your body can’t. You have a body, you are a body. You don’t know what’s safe to eat these days, or when.

I entered psychoanalysis because I felt I was ­becoming intolerable to the people around me. I loved them, and they deserved better. 

This morning I walk around the house feeling happy and I’m struck by what I’m doing. Actually, I’m struck by only one gesture I happen to make, but that one gesture inspires me to write a sentence describing what I have just been doing. This is usually an effective approach in writing because one striking element can be the culmination of a series of more ordinary elements that would not stand on their own.

Extended fart like an angry fly

Not long ago, I was chatting with an older friend who is a retired engineer and also something of a writer, but not of fiction. When he heard that I had just finished a translation of Madame Bovary, he said something like, “But Madame Bovary has ­already been translated.”

Why, I wondered long ago, don’t the Iranians smile? Even before I first thought of visiting Iran, I remember seeing photographs of thousands of crying Iranians, men and women wearing black. In Iran, I read, laughing in a public place is considered coarse and improper.

It is often said that the French are not a musical people. But Paris is still one of the great musical cities of Europe. It can’t compete with the opera of Vienna and Milan and its orchestras are not Europe’s best, but its interest and activity are tremendous. Nowhere else is musical controversy so sharp and almost nowhere else do concert audiences periodically get violent when they don’t like what the orchestra is doing.